WRITING QUOTES XIV

quotations about writing

A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.

SAUL BELLOW

Nobel lecture, December 12, 1976


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


Fine writing is generally the effect of spontaneous thoughts and a labored style.

WILLIAM SHENSTONE

Essays on Men and Manners


I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

diary, February 1954

Tags: Anaïs Nin


I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.

LOUIS ARAGON

Treatise on Style

Tags: Louis Aragon


I hate writing. I so intensely hate writing -- I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project -- it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.

SLAVOJ ZIZEK

Conversations with Zizek

Tags: Slavoj Zizek


I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

MARKUS ZUSAK

The Book Thief


I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.

ELIF BATUMAN

The Paris Review, winter 2012


I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."

ROGER ZELAZNY

interview, Phlogiston, 1995


I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

MARTIN AMIS

The Paris Review, spring 1998


I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.

ROBERT BROWNING

letter to Elizabeth Barrett, February 11, 1845

Tags: Robert Browning


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY

New York Times, April 19, 1992

Tags: Cormac McCarthy


If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

STAN LEE

interview, March 13, 2006

Tags: Stan Lee


Nowadays three witty turns of phrase and a lie make a writer.

GEORG CHRISTOPH LICHTENBERG

"Notebook D", Aphorisms

Tags: Georg Christoph Lichtenberg


Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

Tags: Roger Zelazny


Of all that is written I love only what a man has written with his blood. Write with blood, and you will find that blood is spirit.

FRIEDRICH NIETZSCHE

Thus Spoke Zarathustra

Tags: Friedrich Nietzsche


Should novels generally be 600 pages? No, they should not. Half of writing, maybe 3/4 of writing, is editing. This seems to be a thing that has not gotten through to them. It's my impression that you could get rid of half of most of these books. These people are not good enough to be this long, but they're apparently also not good enough to be shorter.

FRAN LEBOWITZ

interview, Ruminator Magazine, August/September 2005

Tags: Fran Lebowitz


The easier a thing is to write then the more the writer gets paid for writing it. (And vice versa: ask the poets at the bus stop.)

MARTIN AMIS

The Information


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000