WRITING QUOTES XXII

quotations about writing

I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


I hate writing, I love having written.

DOROTHY PARKER

attributed, Rhymes with Vain


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

Tags: Hans Christian Andersen


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.

KOBO ABE

The Frontier Within

Tags: Kobo Abe


An author in his book must be like God in the universe, present everywhere and visible nowhere.

GUSTAVE FLAUBERT

letter to Madame Louise Colet, December 9, 1852

Tags: Gustave Flaubert


A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.

JOHN LE CARRÉ

attributed, The Twilight and Other Zones

Tags: John le Carré


Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person. It's like actors, who try so pathetically not to look in mirrors. Who lean backward trying--only to see their faces in the reflecting chandeliers.

F. SCOTT FITZGERALD

The Last Tycoon

Tags: F. Scott Fitzgerald


Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

WALTER BENJAMIN

One-Way Street

Tags: Walter Benjamin


Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


There is absolutely everything in great fiction but a clear answer.

EUDORA WELTY

On Writing

Tags: Eudora Welty


The reason a writer writes a book is to forget a book and the reason a reader reads one is to remember it.

THOMAS WOLFE

The Autobiography of an American Novelist


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

Tags: Roald Dahl


Remember that in today's market, distribution and promotion are as important as craft. But don't forget what made you want to write fiction. If it was for the money, you're in the wrong business!

ELIZABETH ZELVIN

interview, Book Browsing, July 26, 2012

Tags: Elizabeth Zelvin


Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.

WILLIAM FAULKNER

The Paris Review, spring 1956

Tags: William Faulkner


No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.

JULIAN BARNES

The Paris Review, winter 2000


My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.

ANNE LAMOTT

interview, Big Think, April 6, 2010

Tags: Anne Lamott


It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

CHINUA ACHEBE

interview, Okike, 1990

Tags: Chinua Achebe


If I write novels in a country in which most citizens are illiterate, who then is my community?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays