quotations about writing
He that writes to himself, writes to an eternal public.
ELIZA COOK
Diamond Dust
Write books only if you are going to say in them the things you would never dare confide to anyone.
EMIL CIORAN
The Trouble with Being Born
Writing the first chapter can feel like you're trying to artificially inseminate a stampeding mastodon with one hand duct taped to your leg. That's okay. That's normal. Do it and get through it.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
VIRGINIA WOOLF
The Common Reader
Madness is terrific I can assure you, and not to be sniffed at; and in its lava I still find most of the things I write about. It shoots out of one everything shaped, final, not in mere driblets, as sanity does.
VIRGINIA WOOLF
Letters
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
STAN LEE
Brandweek, May 2000
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
TENNESSEE WILLIAMS
foreword, Sweet Bird of Youth
There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens.
KOBO ABE
The Face of Another
In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.
ALI MADEEH HASHMI
"The art of writing", The News on Sunday, March 11, 2017
In the end, the secret of writing is to be a tortoise, not a hare.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
I write a sentence a thousand times, changing it all the time to look at it in different ways.
FRAN LEBOWITZ
The Paris Review, summer 1993
If people did not want their stories told, it would be better for them to keep away from me.
SHERWOOD ANDERSON
A Story Teller's Story
I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.
JOHN ASHBERY
interview, The Paris Review, winter 1983
Well, when I was a young writer the people we read were Hemingway, Fitzgerald, Sartre, Camus, Celine, Malraux. And to begin with, I was a bit of a copycat writer and very derivative and tried to write a novel using their voices, really.... I keep it out of print.
MORDECAI RICHLER
interview, Brick 81, 1989
Why write it? I thought it would earn me money.
ROBERT REED
interview, Fantasy & Science Fiction, December 18, 2012
As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.
IAIN M. BANKS
"Iain Banks: The Final Interview", The Guardian, June 14, 2013