quotations about writing
You never know what you will learn till you start writing. Then you discover truths you never knew existed.
ANITA BROOKNER
attributed, Journal for You, 2003
You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.
CHUCK WENDIG
The Kick-Ass Writer
At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
Why write it? I thought it would earn me money.
ROBERT REED
interview, Fantasy & Science Fiction, December 18, 2012
In order to write the novel I'm committed to, I have to pretend that it's not only separate from everything I've written before, but also separate from anything anyone in the history of the universe has written. This is a grotesque delusion and a crass vanity, but also a creative necessity.
JULIAN BARNES
The Paris Review, winter 2000
There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.
REX STOUT
The New York Times, November 15, 1953
What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.
JEFFREY EUGENIDES
interview, 3 AM Magazine
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
HENRY WADSWORTH LONGFELLOW
Table-Talk
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
DORIS LESSING
attributed, Shoptalk: Learning to Write with Writers
Few sensible authors are happy discussing the creative process -- it is, after all, black magic, and may lose its power if we look that particular gift horse too closely in the mouth.
EDWARD ALBEE
introduction, Three Tall Women
Some writers love to boast that they can write anywhere: in a cafe, in a park -- some can probably write underwater in a cage with sharks circling. But again it smacks of the cultivated self-image. JK Rowling writing in a café with a baby = potential mythology? Hemingway famously claimed that he could create anywhere, explaining, "the only good place to work is your head" -- but we all know what he did to his head in the end.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Every character is an extension of the author's own personality.
EDWARD ALBEE
The New York Times, September 18, 1966
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
WALTER MOSLEY
This Year You Write Your Novel
Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.
ALAN HOLLINGHURST
The Paris Review, winter 2011
The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.
CHARLES BUKOWSKI
Notes of a Dirty Old Man
If you are to become a writer you'll have to stop fooling with words.
SHERWOOD ANDERSON
"The Teacher", Winesburg, Ohio
In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.
ALI MADEEH HASHMI
"The art of writing", The News on Sunday, March 11, 2017
[Writing is] hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
JOAN DIDION
The Paris Review, fall-winter 1978
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.
JANE HIRSHFIELD
The Atlantic Online, September 18, 1997